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At EFF, we spend a lot of time calling out the harm caused by copyright trolls and protecting internet users from their abuses. Copyright trolls are serial plaintiffs who use search tools to identify technical, often low-value infringements on the internet, and then seek nuisance settlements from many defendants. These trolls take advantage of some of copyright law’s worst features—especially the threat of massive, unpredictable statutory damages—to impose a troublesome tax on many uses of the internet.
On Monday, EFF continued the fight against copyright trolls by filing an amicus brief in Warner Chappell Music v. Nealy, a case pending in the U.S. Supreme Court. The case doesn’t deal with copyright trolls directly. Rather, it involves the interpretation of the statute of limitations in copyright cases. Statutes of limitations are laws that limit the time after an event within which legal proceedings may be initiated. The purpose is to encourage plaintiffs to file their claims promptly, and to avoid stale claims and unfairness to defendants when time has passed and evidence might be lost. For example, in California, the statute of limitations for a breach of contract claim is generally four years.
U.S. copyright law contains a statute of limitations of three years “after the claim accrued.” Warner Chappell Music v. Nealy deals with the question of exactly what this means. Warner Chappell Music, the defendant in the case, argued that the claim accrued when the alleged infringement occurred, giving a plaintiff three years after that to recover damages. Plaintiff Nealy argued that his claim didn’t “accrue” until he discovered the alleged infringement, o
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